Skip to content
Storiascopio
EN
Back to: Ancient Rome

6 · Ancient Rome daily life

The Baths of Caracalla

AD 216 Rome

In short

Opened by the emperor Caracalla, these baths could hold about 1600 people at a time. Bathers went from the caldarium, the hot room, to the warm tepidarium and finally to the cold frigidarium, then perhaps into the pool. As well as baths there were gyms, gardens and two libraries, one for Latin books and one for Greek ones. Under the floors, slaves kept the furnaces burning to heat the water and the air.

Why it matters The baths were where Romans washed, did sport and met their friends.

Source: Soprintendenza Speciale di Roma, “Terme di Caracalla”

Illustration: The Baths of Caracalla (Rome)
Illustration created with AI for Storiascopio
The Baths of Caracalla: Rome
Where: Rome

Study card about 5 minutes of reading

The story

A city within the city

If you walk into the Baths of Caracalla in Rome today, you see towering brick walls, enormous arches and roofless halls. But try to imagine this place as it was in AD 216: marble floors and mosaics, statues everywhere, running water, voices, laughter, the scent of oils. The baths were much more than a bath: they were a place to be together, to play sport, to rest, to talk with friends.

They were inaugurated in 216 by the emperor Caracalla, who had come to the throne in 211. According to the brick stamps, that is, the marks pressed into the bricks that make it possible to date the building, the work took place between 212 and 216. When the emperor inaugurated them they were not yet finished: his successors Elagabalus and Severus Alexander worked on the great outer enclosure and the decoration. An old hypothesis, criticised today, held that the work had begun as early as 206, under his father Septimius Severus.

How big they were

The measurements make your head spin. The whole complex, with the enclosure, measures 337 by 328 metres, and reaches about 406 metres if you count the large exedrae, that is, the semicircular spaces. It covers about 13 hectares, like more than eighteen football pitches. The central block, that is, the main building, measures about 114 by 220 metres. How many people could get in is hard to say: scholars' estimates are very different, from a few thousand a day up to eight thousand.

The bathing route

The Romans followed a route. After exercises in the palaestra, of which there were two, symmetrical, with a central courtyard of 50 by 20 metres, you passed into the heated rooms. The tepidarium was the lukewarm room, with two pools at the sides. Then came the caldarium, the hot room, circular in shape, with a diameter of 34 metres and a dome resting on eight piers, with large windows to catch the sun. Perhaps there was also a laconicum, a sort of sauna. Finally the frigidarium: the cold-water hall, 58 by 24 metres, covered by three cross vaults supported by eight piers, with pools for cold water. And then the natatio, a large open-air swimming pool, decorated with four monolithic granite columns.

Besides the baths there were two halls with an apse, that is, with a semicircular wall, which were probably libraries, one for books in Latin and one for those in Greek. Only the one on the right survives. The baths also had gardens and spaces for walking.

Water and the underground

A place like this needed water in quantity. In 212 a branch of the Aqua Marcia was built, called the Aqua Antoniniana, which passed over the Appian Way resting on a monumental arch, the Arch of Drusus. The water was collected in a great cistern, supported by 64 chambers on two floors, in the south-west enclosure.

Under the halls there was a network of rooms and galleries for the service of the baths, which visitors did not see. They were excavated in 1901 and 1912. In the 20th century, in the excavations of the underground levels, the remains of a mithraeum were also discovered, a place dedicated to the cult of Mithras, an eastern god: it is the largest known in Rome.

Between art and ruin

The baths were full of works of art. The excavations of the 16th century, ordered by Pope Paul III, brought to light very famous statues, such as the Farnese Bull, the Farnese Hercules and the Flora, today in the National Archaeological Museum of Naples. In 1824 a mosaic with 28 figures of athletes was found, now in the Vatican Museums.

The baths stopped working around 537, during the war between the Goths and the Byzantines, when the Gothic king Vitiges cut the aqueducts that brought water to Rome. Without water, the baths could no longer be used. After they were abandoned, the complex was reused in various ways, even as a hospice for pilgrims, as a cemetery and as a vineyard, and the ruins were used as a quarry for marble and other materials: pieces of the baths ended up in Pisa cathedral and in Santa Maria in Trastevere.

Today

Since 1937 the central part has hosted concerts and shows, in particular the summer season of the Rome Opera, with an auditorium that has had 3,500 seats since 2003. In 1960, during the Rome Olympics, the gymnastics events were held there. In 2024 water began to flow again in a new pool of water at the entrance.

Why it happened

The Romans loved public baths. They were a place where everyone, rich and poor, could go, paying little or nothing. Building them was a way for emperors to win the people's favour and show their generosity. Caracalla wanted to leave a monument that surpassed those of his predecessors.

Rome, meanwhile, was an enormous city, with many inhabitants and many aqueducts. Plentiful water made it possible to feed pools, fountains and heating. The baths are the fruit of great organisational skill, with engineers, workers, furnaces and cisterns.

What changed

The Baths of Caracalla were a model of a great public building. Their spaces, with huge halls covered by vaults, show how far Roman engineering could go.

When, around 537, the aqueducts were cut, the baths lost their function. Without water the complex no longer served as a public bath. The complex became a quarry of materials and of statues, and this explains why many works of art are found today in distant museums.

Today the ruins are a monument to visit, a place where people listen to music in summer and learn how the Romans lived. Even our idea of a gym, spa and library all together has its roots in places like this.

Key people and places

People

Caracalla
Emperor from AD 211 to 217: he inaugurated the baths in 216.
Elagabalus and Severus Alexander
Later emperors who worked on the enclosure and the decoration.
Vitiges
King of the Goths who in 537 cut the aqueducts of Rome, ending the working of the baths.
Pope Paul III
In the 16th century he promoted the excavations that brought to light the Farnese Bull and the Farnese Hercules.

Places

Baths of Caracalla
Bath complex in Rome, of about 13 hectares.
Arch of Drusus
Arch on the Appian Way on which the branch of aqueduct serving the baths rested.
National Archaeological Museum of Naples
Keeps the Farnese Bull and the Farnese Hercules, statues found at the baths.

Good to know

  • The baths had two libraries: one for books in Latin and one for those in Greek.
  • Under the halls there were service galleries hidden from the bathers, and a mithraeum, the largest known in Rome.
  • The caldarium, the hot room, was circular and 34 metres wide.
  • The baths stopped working around 537, when the Goths cut the aqueducts.
  • Since 1937 the ruins have hosted the summer season of the Rome Opera.

Find out more

Related events

Before and after, in the era “Ancient Rome”

Event 22 of 25

All 25 events of the era · Open the big line

Listen / Read next

  • Music to read by: Cinematic JourneyEpic film-style music, no lyrics, by Ciro Simone IrmiciSpotifyYouTube Music

Other events of the era “Ancient Rome”

Photo of Ciro Simone Irmici

Who's behind this

Ciro Simone Irmici

I'm Ciro Simone Irmici and I build free websites for learning and playing. I built Storiascopio with artificial intelligence and I check every card and every source myself. I'm not a historian: if you find a mistake or would like one more event for your class, write to me.

More of my work: free audiobooks on YouTube · ebooks on Gumroad · Apple Books · music on Spotify and YouTube Music